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May. 13th, 2008 @ 09:46 pm (no subject)
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Date:May 14th, 2008 11:16 pm (UTC)
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Well what I'm trying to get at is being able to know what one or two notes sound like in your head (so in your case, probably C or G) due to consistent repetition and recognition (much like how string players can pick out an A without any reference because it's the tuning note).
Along with practising solfege and improving your relative pitch, you should be able to develop and maintain some perfect pitch.

However, as for fully recognising notes without using any relative pitch at all, I'm not really aware of any proper training methods other than consistent repetition and listening - one person in a post I made in this community said that she had to sing the note back to herself in order to recognise it, so it's probably possible to assign other alternatives to notes or have some form of description of the note (for me, F and F# sounds rather nasal but F# sounds more confident, whereas A sounds open and confident, etc.)
Date:May 15th, 2008 01:20 am (UTC)
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Well, I was more interested in developing a good realitive pitch. Intervals don't come easily for me. I'd also like to improve my ability to hear harmonies. However, I think what I want to be able to do the most is to be able to hear a piece of music in my head by looking at the score and not using the piano.
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Date:May 15th, 2008 01:30 am (UTC)
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Oops, I forgot to log in.